Tag Archives: CONCEPTUAL

ARTIST OF THE WEEK: JON KUZMICH

This slideshow requires JavaScript.

Jon Kuzmich is a painter, photographer and 2011 MFA graduate from the San Francisco Art Institute.

Holy meticulous! Jon Kuzmich must have a lot of patience in order to produce these minutely detailed artworks. Painstakingly working dot-by-dot, scan-by-scan, or pixel-by-pixel, Kuzmich strives to reveal the distortion of our self-made belief  systems (i.e. religion, science, capitalism) through complex coding, grids and patterning.

The first two works shown (Blue and Green, 2010; The Complete History of Capitalism, 2010) map a series of alternating, hand painted acrylic dots which Kuzmich applied with a needle. The Complete History of Capitalism, which is 56×56 inches, is amazingly comprised of 546,848 separate dots and took approximately 600 hours to create. The final work shown above (images #14-15), entitled Genesis, is actually part of a larger religion-based series called Logos, 2011.

In Logos, Kuzmich translates “every character in the 66 books of the King James Bible into a field of gold, silver, copper, pearl and bronze acrylic dots on square slabs of PVC. Each book of the Bible is then transcribed onto its own PVC slab that is sized according to the number of characters in each specific book. Additionally, the color assignment for each consonant, vowel, space, symbol and number is unique per book in order to create a subtle value gradient over the course of “writing” the entire Bible; with the first book (Genesis) having the lightest density culminating with the last book (Revelations) having the darkest color density.” Quite the undertaking!

Accompanying Logos under Kuzmich’s ‘religious’ umbrella is the following mesmerizing video called Ethos, 2011 – DO WATCH IT! In Ethos, Kuzmich arranged the bible passage “…Forever, O LORD, thy word is settled in heaven” in an hour-glass structure which he then printed on a single piece of paper. That original print was then Xeroxed to produce a first copy – then that copy was Xeroxed again to produce a second copy. This process of copying the copied was repeated 2,981 times. At the end, all the copies were scanned in the order they were copied and turned into the following digital animation:

Pretty cool, eh?

Tagged , , , , , , , ,

ARTIST OF THE WEEK: JESSICA SANDERS

This slideshow requires JavaScript.

Jessica Sanders is an artist and 2010 MFA graduate from Ohio State University.

Jessica Sanders reveals the nature of her mediums through the manipulation of touch and the progression of time. Her works incorporate a wide variety of materials such as drywall, insulation, paper, canvas, sugar and most commonly, wax. Sanders likens these materials to human skin which has a delicate, luminous physicality and can be stretched and transformed over time.

A a few of her works that directly explore the conditions of existence and or physical contact are:

Adit, 2010 – Initially appearing like a molten hole in the wall, Adit is actually a plaster cast of the interior of Sander’s mouth. This cast was then installed in the wall, filled with powder, and worn down over time by the touch of visitors (Image #8).

Slabs, 2010 – Two rectangular slices of wax are propped against the wall until weight and gravity eventually lead the slices to bend and cave in. The pieces break in two and rest on the ground (Image #13).

Untitled Wax Light Bulb, 2010 – A lightbulb is coated in wax and turned on. The heat from the bulb leads the layers of wax to melt and peel off of the bulb (Images #14 & 15).

Tagged , , , , , , , , , ,

ARTIST OF THE WEEK : MAX GLASER

This slideshow requires JavaScript.

Max Glaser is an 2011 graduate from the School of Visual Arts in NYC. The artworks shown are made with a variety of organic components such as food, plants, wood, glass and even blood (see below for artwork details).

1. The Large Plexiglass, 2010, Bulletproof Glass, Lumber, Artifically Dyed Flowers, Honey, Bird, 38x26x3.5″

2. Wasp Honey, 2010, Plywood, Lacquer, Stain, Glass, White Bread, Honey, Latex Paint, 52x27x.75″

3. Untitled, 2010, Glass, Eggs, Vaseline, Grape Jelly, Motor Oil, 72x20x.5″

4. Georgian Scrotemic, 2010, Plywood, Stain, Lacquer, Glass, Mirror, Epoxy, Latex Paint, 147x45x34″

5.  Grape, 2010, Grapefruit, Honey, Bulletproof Glass, Lumber, Barcode, 30x20x3.5″

6.  Cut to Nothing, 2010, Plywood, Found Cutting Board, Blood, Lacquer, Latex Paint, 38x26x1.5″

Food has been an integral subject in art for centuries. We’ve seen it portrayed in still lifes, as sculptures, in photography and in performances. In contemporary art , artists such as Ed Ruscha (who has colored his paintings with spinach, wine, and bolognese sauce), Vik Muniz (who has created artwork using chocolate syrup) and Antony Gormley (who made a bed out of toast for Tate Britain in 2004) found ways to incorporate ‘live’ produce and food into their work.

By immortalizing what has essentially become decomposed, Max Glaser is able to present wasteful byproduct as a rich, colorful and abstract body of work. There’s also something sneakily ironic about turning a worthless material no longer pleasurable to the senses into something beautiful which you can purchase and admire.

Tagged , , , , , , , , , , , , , , , , , ,

ARTIST OF THE WEEK : AMY SMITH GAROFANO

This slideshow requires JavaScript.

Amy Smith Garafano is a 2011 MFA grad from the Cranbrook Academy of Art. In case it is not clear in the photo, the fourth work titled Tracking, 2011 is a floor print in which the artist tracked a whole winter’s worth of salty shoe/footprints on a taped lattice in her studio.

The way Garafano is able to make an object or a wall seem stretched yet truncated or flat yet 3-D is particularly interesting. Not only is it visually challenging, it allows you to contemplate the work spatially. I might also point out that Garofano’s use of what is otherwise ‘simple’ linage and shape is anything but simple. The geometric patterning in her work gives each of her pieces delicate depth and dimension.

Tagged , , , , , , , , , , , ,

ARTIST OF THE WEEK: KEVIN ARNOLD

This slideshow requires JavaScript.


Kevin Arnold is a painter  from Arkansas and a 2010 MFA grad from the Rhode Island School of Design.

Furniture and everyday objects have been painted by artists for centuries, however usually as a background component of a room or as supplement to the main subject of a painting. Of course some exceptions have come along throughout the years, Van Gogh had an affinity for chairs, Andy Warhol loved his Campbell’s Soup Cans/Boxes, etc.

Kevin Arnold pushes the barriers of still life and the use of everyday objects in painting by:

Using common industrial objects as the main subject, painting the subjects realistically, making his canvases/paintings life-sized and last but not least, hanging, posing, or assembling his artworks in a true-to-life manner. I especially like how the Economy Folding Table leans against the wall so naturally. I’d love to come across this painting unexpectedly, walk by it casually, and then have the need to do a double-take and observe it more closely.

Tagged , , , , , , , , , , , ,
Follow

Get every new post delivered to your Inbox.

%d bloggers like this: