Tag Archives: PHOTOGRAPHY

ARTIST OF THE WEEK: JAMES R. SOUTHARD

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James R. Southard is a photographer, videographer and 2011 MFA graduate from Carnegie Mellon University.

My eyes were visually seduced for over two hours whilst pouring over James Southard’s photographs. Forget film, these works put the cliched phrase “lights, camera, action!” to shame. Going high contrast and high drama in his series Tooth and Nail, 2011 (images #1-4 above), Southard created epic scene sets which seemingly depict historical events al la Caravaggio or Delacroix. A second glance however reveals bizarrely out of place objects: a ukelele used as a spear, a bike used as a horse, taped paper hats in place of metal helmets, oh, and LOTS of crepe streamers. Awesome. It’s like your first grade class went to war…except these guys are actually sneaker laden adults.

As for the second series, titled The Inherent Pull, (images #5-8), Southard fabricated dramatic, film-noir-like environments with simple materials such as construction paper and plastic. Don’t see it? Take a look at his process in the video below:

The final series shown, Neither Here Nor There, is a step-by-step documentation of people in movement and how their paths intersect and overlap over brief periods of time.

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STUDIO VISIT

Unbeknownst to us when we made Jessica Sanders our January 30th Artist of the Week was that Jessica’s studio is actually located in Williamsburg, Brooklyn; just a speedy subway ride from GN8 HQ. So after a couple of email exchanges, violà! A studio visit was born. Here’s a glimpse into our memorable drop in.

As sunlight seeped through the ceiling windows, illuminating the bare white walls and buttery hints of beeswax, Nate and I realized that Jessica Sanders’ studio is much like her work: quiet, airy and honest.

As Jessica walked us through the space, she told us that the main intent of her work is to let her mediums, often wood, canvas, and wax, try to speak for themselves. “I feel that the more my hand is removed, the better the work is,” she explained. When asked what inspires her work or process Sanders replied that “In a way I find myself to be a kindred spirit with artists of the 60′s and 70′s such as Eva Hesse because of the sensitivity in their work and the attention to the materials.” Some fine examples of that concept are shown below:

As the visit progressed, Nate and I were encouraged to examine and even touch different types of waxes and silicons already applied to various works. We discovered that the beeswax samples were very smooth and solid, while silicon was tacky and resistant to the movement of our fingertips. Sanders, who was originally a ceramics major, said that she “likens these materials to clay because they are malleable and respond to the heat of our hands.”

Speaking of heating up, Jessica melts her wax by placing a sealed metal bucket (obviously containing wax) on a freestanding hot-plate – a convenient process which she thought-up. Funnily enough, when the hot-plate is activated, the wax inside the bucket begins to contract/expand, making the metal bucket wobble around quite a bit. To me, it ends up looking like an angry little robot waking up from a long slumber. Check it out:

Jessica told us that she once had about 20 hot-plates on at the same time, “it was like an army of charging buckets,” she laughed. Wish we could have seen that! Here are some more studio shots:

As for upcoming events, Jessica will be participating in a group show with fellow artists Jason Mones and Ryan Estep at the Curbs and Stoops Active Space (566 Johnson Ave., 2nd Fl, Brooklyn, NY) this spring/summer. Taking place during Bushwick Open Studios, the show will open with a reception June 1st and run until July 1st.

I should also mention that Jessica is among 36 artists selected by the Bronx Museum of the Arts to participate in their Artist in the Marketplace Program (AIM) this year. Created in 1980, AIM strives to bring exposure and networking opportunities to young artists living and working in NYC. A curated, biannual exhibition of the participating artists will take place early 2013. More info to come as the year progresses.

Jessica Sanders is an artist and MFA graduate from Ohio State University. Originally from Florida, she now lives and works in Brooklyn, New York.

To see more of Jessica’s work, check out her website or GN8PROJECT’s Artist of the Week post in January.

All photos taken by Arion Doerr. Click here for a complete slideshow.

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ARTIST OF THE WEEK: EVAN deSPELDER

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Evan deSpelder is a painter and 2011 MFA graduate from the San Francisco Art Institute.

“Keep making that face and it will get stuck that way!” As a kid I often thought how terrible it would’ve been if my face actually froze forever with let’s say – stretched duck lips. Now however, Evan deSpelder’s paintings make me think otherwise…disfigurements are actually pretty awesome.

In order to achieve the smeared effect in his paintings, deSpelder first manipulates found or original photographs on the computer and then paints the distorted images as he sees them. This practice essentially bridges the gap between two worlds: that of modern technology and classical painting. It’s the “exploration of the formal and conceptual possibilities of digitally mediated painting,” says deSpelder. By often targeting recognizable images of the human form and portraiture, the artist skews our perception of reality and perfection.

For all you art buffs out there, I recommend taking a closer look at Image #3 titled Day at the Beach, 2011. Anyone recognize who these sun-soaked beach bums are? I got a kick out of it once I figured it out.

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ARTIST OF THE WEEK: SANTIAGO FORERO

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Santiago Forero is a photographer and 2010 MFA graduate from The University of Texas at Austin.

If you could calculate the exact number of times someone tells you “No, you can’t do that” over the course of your life, my theory is that it would probably end up being quite a stinking heap. “No, you’re too thin – too fat – too tall – too small,” quotes that many of us hear, have heard, and endure on a daily basis thanks to our ever-loving media/society. As such, Santiago Forero was probably told he wasn’t going to be able to do a bunch of stuff because of his physical characteristics; However, instead of succumbing to life’s so-called “impossibilities” (like many of us do), he decided to explore the realm of attainability.

Altering his physical appearance and creating custom made costumes (with designer Alison Heryer) for the series The Olympic Games (Images #1-5) and Action Heros (Images #6-8), Forero manages to transform himself into convincing stereotypes of today’s heros and villains. Combating what he calls the “superficial judgments about the “other”, Santiago allows us to observe his own physical limitations in order to question the aspects of masculinity, scale, identity and virility.

In the series A Story About Gnomes (Images #9-11) Santiago compares and/or relates his own self-portraits to photographs taken of his niece. Drawing attention to similar postures, motions and environments, Forero lets the viewer interpret each photographic situation with either a sense of humor or alarm.

Do also check out Santiago Forero’s video The Widowmaker! This video, broken up into 6 segments, portrays Forero as a slightly menacing, yet quietly ‘manly’ character. A little bit creepy, a little bit funny, The Widowmaker successfully translates Forero’s photographic mission into film. The clip below (part 2 of 6) is entitled Chapter 1: Into the Woods.

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ARTIST OF THE WEEK: JOHANNA WARWICK

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Johanna Warwick is a photographer and a 2010 MFA graduate from the Massachusetts College of Art and Design.

Quiet, understated beauty. That’s the thought that ran through my head when glimpsing Johanna Warwick’s photographs. Focusing on the contrast between lightness vs. darkness, heaviness vs. emptiness and life vs. death, Johanna Warwick is able to capture the delicate balance of life’s opposing forces. Whether it be to document an empty quarry or her own family, Warwick’s use of color and light gives one the sense of muted comfort. The last image shown (image #12) is actually a series of four separate photographs in which Warwick focuses on ceilings. These images are part of a larger series entitled The Weight of the World where Warwick tries to capture the feeling of being a young adult and trying to find out who you are:

“The pictures are portraying that internal space that we all have and I think for me they come from this time in our early 20s, where you’re trying to figure out what you’re doing and where your going and that sense of being lost….We are always going to know that place. We are always going to know that feeling and that sense of being lost. To me that’s where it came from.” -Johanna Warwick as quoted from Function Magazine. 

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